Picking up small-medium lego pieces in a small box and filtering them through my fingers; lego dropping and hitting onto other lego in the box. Raw audio, no edits. May be background noise.
Recording only the mechanical noise from a uher 4200 report stereo. The recording tools: sennheiser mkh 416, spl frontliner, rme babyface,cubase 9. 5 pro. No postprocessing!.
That couple that lives next door. They are still doing what they do, but it seems like they no longer make the noise loud anymore. I can barely hear them. Either they decided to keep it down or that woman is no longer a screamer in bed. Note that most of the audio was amplified, edited, and cut short.
Background white noise recorded inside an rf shielded chamber on a rack in a computer test lab. Constant drone with no beeps or clicks. A bit cleaner sounds when the door is shut perhaps useful for your sci-fi project?.
Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.
Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.
5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a delay fx (space hole) in zoom ms-70-cdr. Admit i added some noise too.
Field recording made at one of boston's t stations, at the surface level, so there is no noise of trains approaching. Sounds mainly include crowd noise: people walking past with luggage and packages and conversing indistinctly.
2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.
5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a reverb fx (particle reverb) in zoom ms-70-cdr. Admit i added some noise too.
Was playing with my spring reverb. This happened. Analog synths are capable of some sick sounds too. . . Sound straight from the synth. No editing or post fx anything.
Bow of a metalic barge sailing. Water is clapping, close up, two or three smooth metalic noise from the barge. No motor, no voicearcachon, france, 2021. Recorded with schoeps msrecorded on sounddevice 633stereo wave, 24 bits, 48khz.
Hitting a wood plank with another whilst leaning against metal swing frame; produced a dual sound. Recorded in back garden, birds tweeting may be audible. Raw audio, no edits. May be background noise.
Me sifting through some monopoly pieces. Used this in a radio recording and wanted to contribute. Great for foley sounds. Audio is 48khz 24-bit, with reduced noise and leveling to -10. Recorded on a tascam dr-40x.
Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.
A bit of random playing and noises from a small toy accordion for children. No particular notes, just playing around and trying to find interesting textures. Format: flac, stereo, 16 bit, 48 khzrecording device: huawei p10 lite.
It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.
Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.